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Emily in Dirty Blonde by Justin Squigs Robertson
Emily in Dirty Blonde by Justin Squigs Robertson

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Emily Skinner Woos the Crowd With Energy and Charm at 54 Below

– Playbill

“Skinner is simply sublime ... She seduces you in one minute and breaks your heart in the next.”

– Liz Smith | NY Post

“A standout performer, Skinner shows both the remarkable range and the stage savvy of a true Broadway great.”

– USA Today

“Miss Skinner is a blissfully improbable hybrid of Merman and Dietrich, a steamroller vamp who sizzles and belts in one breath.”

– Ben Brantley | NY Times

“An engaging comedienne who performs with bright panache, she manages to amuse without ever striking a false note.”

- Ben Brantley | NY Times

Emily in Billy Elliot by Justin Squigs Robertson
Emily in Billy Elliot by Justin Squigs Robertson

“Emily Skinner delivers one memorable showstopper after another with impeccable timing and a magnetic presence.”

– NY Daily News

“She delivers a brilliant performance with a soaring voice and comedic timing that befits a 1940s screwball comedy heroine.”

- NY Daily News

“Emily Skinner radiates stardom!”

– DCtheatrescene.com

“Skinner’s voice is absolutely ravishing, filled with a rich warmth from top to bottom. I could listen to her sing just about anything.”

- Wall Street Journal

Emily Skinner in MAME
Emily in Mame at Virginia Repertory Theatre

'A Quick 5' with Emily Skinner

– MD Theatre Guide





Emily Skinner
Emily in The Lights of Broadway playing card set.

At the Strathmore’s new AMP venue last night, musical theater star and singer extraordinaire Emily Skinner, dazzled the crowd-with her always winning combination of a soaring purity of tone and the ability to interpret a lyric like Frank or Ella. Skinner’s voice is truly one to make the Gods envious; her vocal instrument can plummet to a low growl or peak to a silvery silken soprano. Indeed, they should be lining up to compose original new musicals for this woman!

– DC Metro Arts

ALBUM REVIEW: Alice Ripley and Emily Skinner are Gloriously ‘Unattached’

– Center on the Aisle